I first got into Juice WRLD’s music last summer after the release of his first posthumous album, “Legends Never Die.” The album itself was critically praised at the time, and for my first time listening to his music, I was thoroughly impressed. However, the climate of the modern music industry has caused this definition to become blurred beyond recognition. The inherent concept of them has good heart behind it, with them traditionally being released as a way for the artist to give a final goodbye to their fans from beyond the grave. Posthumous albums, which are produced after an artist’s death, have been one of the bigger trends in the music industry over the past several years. They mostly come in the form of short features on other artists’ music, but the real problems come in the form of larger projects. From month to month, we hear too much about pieces of music coming from the estates of artists who have passed away.
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